Wednesday, November 12, 2014
ModernDallas.net re-post of my article
It must have been eight or nine years ago when Gary Sweeney visited the University of Texas at Dallas. I was in grad school, and during a slide show of his work, I became increasingly excited about his brand of art. I had already been reading a few books on DADA and I was enchanted by the works of John Baldessari at the time. I even tried my hand at bold faced ironic art, but my jokes feel flat. I didn’t have the tenacity of Gary Sweeney to stick with the gags. After his 40 years “Overview” at Blue Star last year, Red Arrow Contemporary has extended some of the tour to Dallas. I was familiar with some of the work, because he talked about them in his lectures so many years ago, but I was getting to see many of the works in person for the first time.
I say jokes and gags, but really Sweeney is smashing the institution of metaphors. Those tricky, distrustful foes of the Post Modernist, the metaphor has been taken down a peg or two by the discourse of philosophers and artists. Sweeney is also pushing off a cliff the overused images of 50’s and 60’s style ad art and illustrations. Retro dipped in irony. And yes, I just mixed some metaphors. In the case of “My Mother-In-Law’s Sloppy Joe Recipe as Written by Abraham Lincoln,” he smashes the cultural meaningfulness of someones hand written letters and converts them into the personal and mundane. At the lecture, long ago, Sweeney gave me a card with an image of his work. The card depicted Georgia O'Keeffe's signature from consecutive years as she got much older. Her signature became less and less legible. It reminded me how time changes a signature, so a signature is really a snapshot of a person at that moment. One got a real sense of time and aging from the image. I just wish it was in the show.
I remember Sweeney talking about his assemblage of old outdoor signs and letters.. He would trade old signs for new ones he made. He started to have quite a collection of those outdoor fragments. I am reminded of how archaeologists will take fragments and piece words together in an attempt to make a coherent messages. However, Sweeney took the words of the public space and repurposed them into new messages. I think his quotes about art using these signs make a playful gesture to the high minded quotations. At Red Arrow, there was a photograph of one of these works. I don’t know if the piece still exists and the photo is the piece now, or if both are separate from one another. Simulacrum can be confusing, especially when it is coming from an artist. Why is Joseph Kosuth popping in my head just now?
Well Sweeney is a conceptualist. It seems his images just slap you in the face with the obvious, but somehow not so obvious at all. You might snicker or laugh, but you will also think and consider. For me Sweeney’s images might be read with ease, but then they sink in and you start thinking about them more and more. You want to revisit them and draw something else out of them. Red Arrow will give you till October 18th to see Gary Sweeney’s show.
For more images ModernDallas.net